Yang-his Hsiao is a Taiwanese visual designer and XR researcher, who graduated from the MA Virtual Reality program at the London College of Communication, University of the Arts London.

Born near Taiwan's Fourth Nuclear Power Plant, Gongliao, she was deeply influenced by the egg-throwing anti-nuclear protests as well as local gang-related scenes. As a fourth-generation resident of a water conservation area, these life experiences have shaped her profound reflections and awareness regarding environmental, social, and contemporary issues.

Her solo exhibition “Da Yin Wang Shan” was awarded the Art New Talent Award by the Ministry of Culture, Taiwan. Additionally, the book cover designs "Afternoon Thundershower" and "Lunatic is the Night" were selected for the Golden Butterfly Award, Taiwan's prestigious publication design competition. She is currently engaged in a series of cross-disciplinary research projects focused on violence prevention. One of the works, The Old Enemy, is a narrative animation that combines virtual reality and experimental noise to explore the psychological mechanisms and cultural roots of cyclical violence. Another project, Diving into the Wreck, is a transnational and interdisciplinary XR cross-platform initiative that applies psychological theories to design relatively safe interactive environments within virtual systems. It enables users to practice intervention strategies in simulated sexual harassment scenarios, aiming to enhance their capacity to provide immediate support to victims.

Working across commercial design and the arts, she continuously explores themes of existence through visual design and XR technologies, transforming intangible observations and insights into tangible, compelling visual narratives.

蕭羊希，臺灣視覺設計師及XR研究者，畢業於倫敦藝術大學倫敦傳播學院虛擬實境研究所。生於核四廠旁、貢寮，深受蛋洗核電及黑道場面影響，水域保護區居民第四代，生命經驗促成對環境、社會及議題的深思與覺察。

個展《大隱魍山》獲中華民國文化部頒發「藝術新秀獎」，裝幀設計作品《午後雷陳雨》、《夜長夢多》入選金蝶獎台灣出版設計大獎。目前她正在進行一系列以暴力犯罪預防為核心的跨域研究計劃。其中《兩面宿敵》（The Old Enemy）為一部融合虛擬實境與實驗噪音的敘事動畫，探討暴力循環的心理機制與文化根源。另一件作品《潛入沉船》（Diving into the Wreck）則為一項跨國、跨學科的XR跨平台專案，運用心理學理論於虛擬影像系統中設計相對安全性的互動情境，使使用者能在模擬的性騷擾場景中實作干預策略訓練，以提升對受害者的即時支持能力。

作品跨足商業設計與藝術領域，持續透過視覺設計、XR等不同媒介探索各種「存在」的議題，專注於將無形的觀察與體悟轉化為有形而具感染力的視覺敘事。